一区二区三区视频_亚洲国产一区二区三区中文字幕国产_国产精品资源一区二区三区_在线不卡一区二区三区日韩

電影從今天到明天

從今天到明天

Du jour au lendemain

影片信息

  • 片名：從今天到明天
  • 狀態(tài)：HD中字
  • 主演：未知
  • 導演：達尼埃爾·于伊耶/讓-馬里·斯特勞布/
  • 年份：1997
  • 地區(qū)：法國
  • 類型：喜劇/音樂/
  • 時長：內(nèi)詳
  • 上映：未知
  • 語言：其它
  • 更新：2025-07-09 16:03
  • 簡介：Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
1997/法國/喜劇 音樂 /其它/

  • 暫無公眾號

  • 掃一掃用手機訪問

 立即播放 無盡資源

選擇來源

  • 無盡資源
  • 牛牛資源
  • 索尼資源
  • 鴨鴨資源
9.0
網(wǎng)友評分
  • 很差
  • 較差
  • 還行
  • 推薦
  • 力薦
635次評分
9.0
網(wǎng)友評分
  • 很差
  • 較差
  • 還行
  • 推薦
  • 力薦
635次評分
給影片打分《從今天到明天》
  • 很差
  • 較差
  • 還行
  • 推薦
  • 力薦
我也要給影片打分

掃一掃用手機訪問

首頁電影喜劇片從今天到明天

播放列表

 當前資源來源無盡資源 - 無需安裝任何插件
 倒序

劇情簡介

Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

為你推薦

 換一換

評論

評論已關閉